Voila! Finally, the Horror Of Dracula
script is here for all you quotes spouting fans of the Christopher Lee
Hammer movie. This script is a transcript that was painstakingly
transcribed using the screenplay and/or viewings of Horror Of Dracula. II you have any corrections, feel free to
drop me a line. You won't
hurt my feelings. Honest.
This script was originally transcribed by BJ Kuehl.
1958
T H E H O R R O R O F D R A C U L A
A Hammer Film
cast
Count Dracula....................Christopher Lee
Von Helsing........................Peter Cushing
Arthur Holmwood....................Michael Gough
Mina Holmwood..................Melissa Stribling
Lucy Holmwood........................Carol Marsh
Jonathan Harker..................John Van Eyssen
Dr. Seward....................Charles Lloyd Pack
T R A N S Y L V A N I A
May 3, 1885
LATE AFTERNOON
Outside Castle Dracula
Jonathan Harker approaches
>From the diary of Jonathan Harker: "May 3, 1885. At last my
long journey is growing to its close. What the eventual end
will be, I cannot forsee. But whatever may happen, I can rest
secure that I will have done all in my power to achieve success.
The last lap of my journey, from the village of Klausenberg,
proved to the more difficult than I had anticipated due to the
reluctance on the part of the coach driver to take me all the
way. However, as there was no other transport available, I was
forced to travel the last few kilometers on foot before arriving
at Castle Dracula. The castle appeared innocuous enough in the
warm afternoon sun, and it all seemed normal but for one
thing--there were no birds singing. As I crossed the wooden
bridge and entered the gateway, it suddenly seemed to become
much colder due, no doubt, to the icy waters of the mountain
stream I had just crossed. However, I deemed myself lucky to
have secured this post, and did not intend to falter in my
purpose."
Harker enters the Castle
The Castle Parlour
Harker reads letter left on table laden with food
HARKER: "My dear Harker, I am sorry I was unable to meet you.
Eat well, make yourself comfortable. Dracula."
LATER THAT EVENING
Harker, meal finished, begins to write in diary
Enter woman
HARKER: I'm sorry. I didn't hear you come in. My name's
Jonathan Harker. I'm the new librarian.
WOMAN: You will help me, won't you? Say you will, please.
HARKER: How can I help you?
WOMAN: Take me away from here.
HARKER: But why?
WOMAN: He's keeping me prisoner.
HARKER: Who is? Count Dracula? I'm afraid I don't understand.
WOMAN: Oh, please! Please, help me to escape.
Exit Woman
Enter Dracula
DRACULA: Mr. Harker, I'm glad that you have arrived safely.
HARKER: Count Dracula?
DRACULA: I am Dracula. And I welcome you to my house. I must
apologize for not being here to greet you personally, but I
trust that you have found everything you needed?
HARKER: Thank you, sir. It was most thoughtful.
DRACULA: It was the least I could do after such a journey.
HARKER: Yes, it is a long journey.
DRACULA: And tiring for you, no doubt. Permit me to show you
to your room.
HARKER: (picking up suitcase) Thank you, sir.
DRACULA: Please, allow me. Unfortunately, my housekeeper is
away at the moment. A family bereavement, you understand.
HARKER: Yes, of course.
DRACULA: However, I think you will find that everything has
been prepared for your comfort.
HARKER: How soon may I start work, sir?
DRACULA: As soon as you wish. There are a large number of
volumes to be indexed.
Harker's Bedchamber
Harker and Dracula enter
DRACULA: Is there anything else you require, Mr. Harker?
HARKER: No, I don't think so. You've been very kind.
DRACULA: On the contrary, it is entirely my privilege. I
consider myself fortunate to have found such a distinguished
scholar to act as my librarian.
HARKER: I like quiet and seclusion. This house, I think,
offers that.
DRACULA: Then we are both satisfied. An admirable arrangement.
But there is just one more thing, Mr. Harker. I have to go
out, and I will not be back until after sundown tomorrow. But,
until then, please look upon this house as your own. Good
night, Mr. Harker.
HARKER: Good night, sir.
Exit Dracula
HARKER: (begins to unpack)
Enter Dracula
DRACULA: As I shall be away for so long, I think it better that
you should have a key to the library, Mr. Harker.
HARKER: Thank you.
DRACULA: You will find the library to the left of the hall.
(points to picture on bureau) May I?
HARKER: Yes, certainly.
DRACULA: (picking up picture) Your wife?
HARKER: No, my fiancee.
DRACULA: You are a very fortunate man, Mr. Harker. May I ask
her name?
HARKER: Lucy...Lucy Holmwood.
DRACULA: Charming...charming.
HARKER: You're very kind.
DRACULA: Good night. Sleep well, Mr. Harker.
Exit Dracula, locking door behind him
HARKER: (writes in diary) "At last I have met Count Dracula.
He accepts me as a man who has agreed to work among his
books...as I intended. It only remains for me now to await the
daylight hours when, with God's help, I will forever end this
man's reign of terror."
LATER
Harker, dozing in chair, is awakened by doorknob turning
Harker opens bedroom door, and looks up and down hallway
Sees parlour door close
The Parlour
Enter Harker
WOMAN: (appearing from behind door) Mr. Harker, you will help
me?
HARKER: If it's still possible. But, tell me, why is Count
Dracula keeping you prisoner?
WOMAN: I cannot tell you that.
HARKER: But if I'm to help you, I must know.
WOMAN: I'm sorry. It's not possible.
HARKER: You make it very difficult for me. After all, I'm a
guest here. If I'm to help you, I must have a reason.
WOMAN: A reason! You ask for a reason! Is it not reason
enough that he keeps me locked up in this house, holds me
against my will? You can have no idea of what an evil man he is
or the terrible things he does. I could not...dare not...try to
leave on my own. He would find me again, I know. But, with you
to help me, I would have a chance. Oh, you must help me. You
must! You're my only hope. You must!
HARKER: (holding her in his arms) I'll help you, I promise.
Please don't distress yourself.
WOMAN: Thank you. (She bites Harker's neck.)
HARKER: (Pushes vampiress away)
Enter Dracula
DRACULA: (Fights with woman)
WOMAN: (Falls to floor)
HARKER: (Fights with Dracula and is knocked unconscious)
Exit Dracula, carrying Woman
THE NEXT AFTERNOON
Harker's Bedchamber
Harker awakens sprawled on top his bedcovers
HARKER: (Looks out window, tries to open door but finds it
locked. Looks in mirror and sees bites on his neck, writes in
diary): "I have become a victim of Dracula and the woman in his
parlour. It may be that I am doomed to be one of them. If that
is so, I can only pray that whoever finds my body will possess
the knowledge to do what is necessary to release my soul. I
have lost a day. Soon it will be dark. While my senses are
still my own, I must do what I set out to do. I must find the
resting place of Dracula and, there, end his existence forever."
Climbs out window; hides diary in roadshide shrine
HARKER: "Soon it will be sundown, and they will walk again. I
do not have much time."
Harker enters crypt
Drives stake through vampiress's heart
Dracula awakens as sun sets
SEVERAL DAYS LATER
Klausenburgh Inn
Enter Van Helsing
INNKEEPER: Good day, sir.
HELSING: Good day. May I have a brandy, please?
INNKEEPER: Certainly, sir. Traveling far?
HELSING: Not much farther, I hope. Is it possible to have a
meal?
INNKEEPER: Well, yes, sir. Inga! Only a simple one, I'm
afraid, sir. Your change, sir. We don't get many travelers in
these parts...not that stop anyway.
Enter Inga
HELSING: You had one a few days ago, I believe, a Mr. Harker.
INNKEEPER: Harker, sir?
HELSING: Yes, he's a friend of mine. He wrote me from this
address.
INNKEEPER: Not here, sir.
INGA: I remember the gentleman. He gave me a letter to post.
INNKEEPER: Hold your tongue, girl.
HELSING: Was this the letter?
INGA: I'm not sure.
HELSING: Perhaps you'll remember the name...Dr. Van Helsing?
INGA: I'm not sure.
INNKEEPER: Go and prepare a meal for this gentleman. At once,
do you hear me?
Exit Inga
HELSING: What are you afraid of?
INNKEEPER: I don't understand you.
HELSING: Why all these garlic flowers? Over the window? And
up here? They're not for decoration, are they?
INNKEEPER: I don't know what you're talking about.
HELSING: I think you do. And I think you know something about
my friend. He came here with a purpose...to help you.
INNKEEPER: We haven't asked for any help.
HELSING: You need it all the same.
INNKEEPER: Look, sir, you're a stranger here in Klausenburgh.
Some things are best left alone, such as interfering in things
which are beyond our powers.
HELSING: Please don't misunderstand me. This is more than a
superstition, I know. The danger is very real. If the
investigation which Mr. Harker and I are engaged upon is
successful, not only you but the whole world will benefit.
Castle Dracula is somewhere here in Klausenburgh. Will you tell
me how I get there?
INNKEEPER: You ordered a meal, sir. As the innkeeper, it is my
duty to serve you. When you've eaten, I ask you to go and leave
us in peace.
Enter Inga, carrying table setting
INGA: Your meal will be ready in a minute, sir, if you'd like
to take a seat.
HELSING: Thank you.
INGA: (whispering) This was found at the crossroads near that
place. He told me to burn it. But your friend was such a nice
gentleman, I couldn't.
HELSING: (Lifts napkin to find Harker's diary)
THE NEXT DAY
Castle Dracula
Van Helsing's carriage arrives;
Dracula's funeral carriage departs
HELSING: (entering castle) Harker? (Going upstairs) Harker?
Van Helsing enters Harker's vacant bed chamber
Finds broken pictureframe which once held Lucy's picture.
Enters crypt. Finds Harker in coffin.
Drives stake through Harker's heart.
************************************************
K A R L S T A D T
TEN DAYS LATER
The Holmwood Parlour
Early Afternoon
Van Helsing addresses Arthur and Mina Holmwood
HELSING: I'm sorry, Mr. Holmwood, but I really cannot tell you
anything more about how he died.
ARTHUR: Cannot or will not?
HELSING: Whichever you wish.
ARTHUR: Dr. Van Helsing, I am not at all satisfied. You
suddenly appear and tell us that Jonathan Harker is dead. And
yet you will not tell us where or how he died. I find it
extremely suspicious.
MINA: Arthur!
ARTHUR: You have the death certificate?
HELSING: Yes.
ARTHUR: Signed by you.
MINA: When did he die, Doctor?
HELSING: Ten days ago, Mrs. Holmwood.
ARTHUR: Ten days ago! Where was he buried?
HELSING: He was cremated.
ARTHUR: By whose authority?
HELSING: His own. As his friend and colleague, he told me some
time ago that he would wish it.
ARTHUR: You must know that Jonathan was going to marry my
sister, Lucy. Surely you could have written?
HELSING: I felt it would have been less of a shock if I came
and told her personally.
ARTHUR: I'd rather you didn't see my sister. My wife and I
will tell her.
HELSING: Very well. I am sorry. Will you please express my
sympathy to Miss Lucy? If she wishes to get in touch with me,
I'm at her service.
Enter Gerda
ARTHUR: Oh, Gerda, Dr. Van Helsing is leaving. Will you show
him to the door?
GERDA: Yes, sir.
HELSING: Good day.
ARTHUR: Sir.
Exit Gerda and Helsing
ARTHUR: Why all this secrecy? Why wouldn't he tell us?
MINA: Darling, Dr. Van Helsing is a very eminent man. Whatever
his motives, you can be sure he had a good reason for them. In
any case, we can't help poor Jonathan now. Lucy is the one we
must think of.
ARTHUR: Is she well enough to be told? It will be a terrible
blow for her.
MINA: She must know sometime. We won't disturb her afternoon
rest. We'll see how she is this evening.
LATER THAT EVENING
Lucy's Bedroom
Arthur and Mina prepare Lucy for bed
LUCY: Jonathan will be home soon, I know it. Then I'll get
better, you'll see. I won't be a trouble to Dr. Seward or any
of you.
MINA: Lucy, you're no trouble to anyone. Now, rest. Get some
sleep. You've got to get some colour back into those cheeks.
Good night, Lucy.
LUCY: Good night, Mina. Good night, Arthur.
MINA: Sleep well.
LUCY: I'll try.
Exit Mina and Arthur
LUCY: (Opens windows, removes crucifix from around her neck,
lies back on her bed and touches marks on neck).
MEANWHILE
The Van Helsing Parlour
Van Helsing listens to grammaphone
VOICE ON GRAMMAPHONE: "...search for vampires. Certain basic
facts established. 1) Light. The vampire allergic to light.
Never ventures forth in the daytime. Sunlight
fatal...repeat...fatal. Would destroy them. 2) Garlic.
Vampires repelled by odour of garlic. Memo: check final
arrangements with Harker before he leaves for Klausenburgh. 3)
The crucifix, symbolizing the power of good over evil. The
power of the crucifix in these cases..."
Offstage: Knock on door
HELSING: Come in.
Enter Valet
VALET: You rang, sir?
HELSING: Oh, yes. I want this letter delivered first thing in
the morning. Will you see to that?
VALET: Yes.
HELSING: Thank you.
VALET: Thank you, sir.
HELSING: Anything the matter? What is it?
VALET: Well, sir, to tell you the truth, when I was outside I
thought I heard you talking to someone.
HELSING: Well, of course you did. I was talking to myself.
You won't forget that letter, will you?
VALET: No, sir. Yes, sir.
Exit Valet
VOICE ON GRAMMAPHONE: "The power of the crucifix in these cases
is twofold. It protects the normal human being but reveals the
vampire or victim of this vile contagion when in advanced
stages."
HELSING: (dictates into grammaphone): Established that victims
consciously detest being dominated by vampirism but are unable
to relinquish the practice, similar to addiction to drugs.
Ultimately, death results from loss of blood. But, unlike
normal death, no peace manifests itself for they enter into the
fearful state of the undead. Since the death of Jonathan
Harker, Count Dracula, the propagator of this unspeakable evil,
has disappeared. He must be found and destroyed.
Lucy's Bedroom
Lucy lies awake in bed
Enter Dracula
THE NEXT MORNING
The Holmwood Parlour
Mina and Dr. Seward exit Lucy's bedroom
MINA: She seems so much weaker, Doctor.
SEWARD: It's a puzzling case, Mrs. Holmwood. The symptoms are
those of anemia, and I'm treating her for this. It can be a
slow process, of course. But I had hoped for more encouraging
signs by now.
Enter Tania
TANIA: Please, may I see Auntie Lucy?
MINA: Not today, Tania.
TANIA: Is she very ill?
MINA: I'm afraid so.
TANIA: Do you know what's wrong with her?
SEWARD: Of course, I do.
TANIA: Then why don't you make her better?
Enter Gerda
GERDA: Tania? Tania, how many times have I told you not to go
bothering Mrs. Holmwood? I'm sorry, Ma'am.
MINA: That's all right, Gerda.
Exit Gerda and Tania
SEWARD: A child's logic can be most disconcerting.
MINA: Yes.
SEWARD: Would you like a second opinion, Mrs. Holmwood?
MINA: Thank you, doctor. I'll think about it.
SEWARD: Well, carry on with the medicine and diet I've
prescribed. And plenty of fresh air.
MINA: Yes, doctor, I will. Good day to you.
SEWARD: Good day.
Exit Seward
MINA: (opens letter)
SEVERAL HOURS LATER
The Van Helsing Parlour
Helsing prepares his medical bag
Offstage: Knock on door
HELSING: Come in.
Enter Mina
HELSING: Mrs. Holmwood, how very good of you to come. Please,
will you sit down?
MINA: Thank you. You mentioned in your letter some things of
Jonathan's.
HELSING: Yes, I have them ready. I would have brought them
myself but...
MINA: I do understand. But you must appreciate that Mr.
Holmwood was very upset.
HELSING: Of course. I only wish that I could have been more
helpful. How did Miss Lucy take the news?
MINA: We haven't told her yet. She's ill...very ill.
HELSING: I'm sorry to hear that. May I ask what's the matter
with her?
MINA: It was all so sudden. It happened about ten days ago.
Our family doctor says it's anemia. I'm very unhappy about it.
I've nothing against Dr. Seward, please don't think that, but he
did say I could have a second opinion.
HELSING: I'd like to see her at once.
MINA: I'd be so grateful.
HELSING: If you will excuse me.
THAT AFTERNOON
Lucy's Bedroom
Van Helsing and Mina address bedridden Lucy
MINA: Lucy, I've brought someone to see you...Dr. Van Helsing.
He's a friend of Jonathan's.
HELSING: Miss Lucy. What lovely flowers.
LUCY: Jonathan's dead, isn't he? It's true, isn't it?
HELSING: I'm sorry.
MINA: Did Arthur tell you?
LUCY: Nobody told me. I just knew. Is that why Dr. Helsing is
here?
HELSING: Partly.
MINA: Dr. Helsing's a specialist. He's come to help you.
LUCY: Jonathan's told me so many things about you.
HELSING: Nice things, I hope.
LUCY: Oh, very nice.
HELSING: Now, let's see. (Examines Lucy's head and neck)
Ummm. Now don't you worry. We'll soon have you well again.
LUCY: Good bye, doctor. I'm sorry you had a wasted
journey...about Jonathan, I mean.
HELSING: It wasn't wasted, I promise you. Good day, Miss Lucy.
Mina and Van Helsing exit Lucy's bedroom
MINA: How could she have known of Jonathan's death?
HELSING: A premonition. It's not uncommon.
MINA: She took it so calmly. It worries me.
HELSING: I'm afraid there are more urgent things to worry
about. Those marks on her neck. When did they first appear?
MINA: Well, I noticed them first shortly after she became ill.
I asked her about them, and she said that she thought she'd been
stung. It is quite possible, of course. Dr. Seward said she
must have plenty of fresh air. The windows were open all the
time.
HELSING: Between the hours of sunset and sunrise, all the
windows in her room, with the possible exception of a small
fanlight for ventilation, must be kept shut.
MINA: But Dr. Seward said...
HELSING: Mrs. Holmwood. You called me in for a second opinion.
If I am to help your sister at all, there are certain things
you must do to help me however unorthodox they may appear.
MINA: Yes, I know, but...
HELSING: If you love Miss Lucy, be guided by me, I beg you.
MINA: I'll do anything to make her well again.
HELSING: You must get some garlic flowers...as many as you can.
Place them by her windows and her door and by her bedside.
They may be taken out during the day but, under no circumstances
even if the patient implores you, must they be removed at night.
I cannot impress upon you strongly enough how important it is
that you obey my instructions. Do exactly as I say and we may
be able to save her. If you don't, she will die. I'll be here
in the morning.
THAT NIGHT
Lucy's Bedroom
Lucy lies in bed, gasping
Enter Gerda
GERDA: Heavens, child! What is it?
LUCY: Oh, Gerda. These flowers! I can't stand them.
GERDA: They do smell so, Miss, but Mrs. Holmwood said that...
LUCY: I don't care what she said. Please take them away,
please.
GERDA: Well...?
LUCY: Please, Gerda. They stifle me.
GERDA: All right, Miss. I'll take them out.
LUCY: And the windows. You will open the windows?
GERDA: Yes, Miss Lucy, if that's what you want. (Opens windows
and removes vases of garlic) I'll come back for the rest.
Exit Gerda
THE NEXT MORNING
Lucy's Bedroom
Seward covers Lucy's face with sheet.
Arthur and Mina stand nearby, sobbing
SEWARD: There was nothing I could do to save her.
Enter Gerda followed by Helsing
SEWARD: Dr. Van...?
HELSING: Mrs. Holmwood, did you do as I told you?
ARTHUR: She did, and you've seen the result.
MINA: But Arthur...
GERDA: Please, sir. Excuse me, sir. It was all my fault. She
could not breathe. She looked so ill. She begged me to open
the windows and throw away all the plants. Oh, I know you told
me not to, Ma'am, but I...
HELSING: Gerda, what time was this?
GERDA: It was about midnight. I heard a noise and...
HELSING: All right. You may go now.
GERDA: Yes, sir. Thank you, sir. Oh, I am so sorry, sir.
ARTHUR: Whatever happened, all I know is that you have brought
us nothing but grief. First Jonathan, and now Lucy. Whoever
you are and whatever your motives, please go and leave us in
peace.
HELSING: Mr. Holmwood, when I told you about Jonathan, I
thought it best for your peace of mind to spare the details of
the dreadful circumstances in which he died. But the tragic
death of your sister is so closely linked with Jonathan's that I
think you should now know the truth. I can't expect you to
believe me, but you will, I know, believe Jonathan. Here are
his last words...his diary. When you have read it, you will
understand.
THREE EVENINGS LATER
The Holmwood Parlour
Arthur and Mina take tea
Enter Gerda
ARTHUR: What is it, Gerda?
GERDA: It's a policeman, sir. He's got Tania with him.
MINA: Tania?
ARTHUR: Show him in, Gerda.
GERDA: Very good, sir.
Enter Officer and Tania
OFFICER: Good evening, Ma'am. Good evening, sir.
ARTHUR: What is it, officer?
OFFICER: I found this little girl here. She was very
distressed indeed. Tell them what you told me.
TANIA: I don't want to.
MINA: Oh, Tania. There's no need to be frightened. Now come
on over here. Sit with me and tell me all about it. Now you
don't want Mr. Holmwood to think you're a crybaby, do you?
You're a big girl now. Now, come on, tell me what happened.
TANIA: Well, I was out by myself, and she came up to me, and
she said, "Hello, Tania, shall we go for a little walk?" And I
said, "Yes," and we went for a walk. And then someone came
along and she ran away and left me, and I was alone.
MINA: Who was she? Who did you see? Come on, tell me. Who
was she?
TANIA: Aunt Lucy!
THAT NIGHT
Lucy's Crypt
Arthur peers into Lucy's empty coffin
The Holmwood Garden
Tania approaches Lucy
TANIA: I heard you call me, Aunt Lucy.
LUCY: Yes, dear. Come along.
TANIA: You're cold. Where are we going?
LUCY: For a little walk. I know somewhere nice and quiet where
we can play.
AFTER MIDNIGHT
Cemetery
Arthur waits near Lucy's coffin
Enter Lucy and Tania hand in hand
TANIA: Is it much further, Aunt Lucy? I'm so tired.
LUCY: We're nearly there, my darling.
ARTHUR: Lucy!
LUCY: Arthur, dear brother.
ARTHUR: Lucy!
LUCY: Dear Arthur, why didn't you come sooner? Come, let me
kiss you.
Enter Helsing, holding cross
LUCY: (screams)
HELSING: (touches cross to Lucy's forehead; it leaves a mark)
Exit Lucy into crypt
Exit Arthur, following Lucy
HELSING: (handing coat to Tania) Put this on.
TANIA: I want to go home.
HELSING: And so you shall. I'll just go and fetch Mr. Holmwood
and then we can all go home together.
TANIA: Not Aunt Lucy?
HELSING: No, not Aunt Lucy. Now, you sit there and be a good
girl. There. You look like a teddy bear now. Will you wear
this pretty thing?
Van Helsing places crucifix around Tania's neck
HELSING: There, isn't that lovely? Now, you promise not to run
away?
TANIA: I promise.
HELSING: Good. If you watch over there, you'll see the sun
come up. Keep warm.
Helsing enters crypt
HELSING: You understand now?
ARTHUR: But why Lucy?
HELSING: Because of Jonathan. You read my note in his diary
about the woman he found at Klausenburgh. This is Dracula's
revenge. Lucy is to replace that woman.
ARTHUR: Oh, no!
HELSING: I watched her tomb each night since she was interred
three days ago. Tonight she ventured out for the first time.
Holmwood, I know your one wish is that Lucy should rest in
peace. I promise to fulfill that wish but first, if I have your
consent, she can lead us to Dracula.
ARTHUR: How can you suggest such a thing? That she should be
possessed by this evil for another second! And what about
Gerda's child out there? And the others she will defile? Oh,
no, I couldn't. I couldn't.
HELSING: Of course. Will you take that child home and then
meet me back here in about an hour's time? It's all right.
It's nearly dawn. She won't leave the coffin again.
AN HOUR LATER
Lucy's Crypt
Helsing unwraps hammer and several wooden stakes
ARTHUR: Is there no other way?
HELSING: (Shakes head)
ARTHUR: But it's horrible!
HELSING: Please try and understand. This is not Lucy, the
sister you loved. It's only her shell, possessed and corrupted
by the evil of Dracula. Liberate her soul and give it eternal
peace. We must destroy that shell for all time! Believe me,
there is no other way.
Helsing drives stake through Lucy's heart
ABOUT AN HOUR LATER IN THE EARLY MORNING
The Van Helsing Parlour
Helsing offers drink to Arthur
who is reading Harker's diary
HELSING: Drink this.
ARTHUR: I'm all right now.
HELSING: Drink it.
ARTHUR: Thanks. There's so much in Jonathan's diary I don't
understand. Can Dracula really be as old as it says here?
HELSING: We believe it's possible. Vampires are known to have
gone on from century to century. Records show that Count
Dracula could be five or six hundred years old.
ARTHUR: Another thing. I always understood that, if there were
such things, they could change themselves into bats or wolves.
HELSING: That's a common fantasy. Holmwood, the study of these
creatures has been my life's work. I've carried out research
with some of the greatest authorities in Europe and yet we've
only just scratched the surface. You see, a great deal is known
about the vampire bat. But details of these reanimated bodies
of the dead...the UNdead as we call them...are so obscure that
many biologists will not believe they exist. Of course, you're
shocked and bewildered. How can you expect to understand in so
short a time? But you;ve read and experienced enough to know
that this unholy cult must be wiped out. I hope perhaps that
you will help me.
ARTHUR: I'll do anything you say.
HELSING: Thank you. Of course, we do know certain things. You
witnessed one a little while ago. We also know that, during the
day, the vampire must rest in his native soil. Now, when I went
to Castle Dracula, a hearse came tearing through the gates. In
that hearse was a coffin. I believe it contained Dracula and a
bit of his own earth. To get here, that hearse would have to
come by the frontier of Ingstadt. They'll have a record there
of where it was going. We need that address. Will you come
with me to Ingstadt?
ARTHUR: How long will it take? I must let Mina know.
HELSING: With any luck, we should be back by tomorrow morning.
*************************
I N G S T A D T
THAT EVENING
A Douane Station
Van Helsing and Arthur speak with the Douane Officer
DOUANE: I'm afraid that is quite out of the question, sir.
Against regulations.
HELSING: All we want to know is where the coffin was going.
DOUANE: I cannot give away information without proper authority.
HELSING: This is a matter of great urgency. I am a doctor.
DUOANE: I'm sorry, sir.
MEANWHILE IN
K A R L S T A D T
The Holmwood Parlour
Mina sits alone, mending
Enter Gerda
GERDA: There is a young lad with a message for you. Personal,
he said. He wouldn't give it to me.
MINA: All right, Gerda. I'll see him.
Enter Lad
MINA: Yes?
LAD: You Mrs. Holmwood?
MINA: I am.
LAD: Got a message for you. You're to go to 49
Frederickstrasse right away, he says. And you're not to tell
anyone.
MINA: Who says?
LAD: Arthur Holmwood, he calls himself. Said you'd know him.
MINA: That's impossible. My husband's gone to Ingstadt.
LAD: Not if he gave me this message, he hasn't. And he gave me
this message. Good night.
I N G S T A D T
The Douane Station
Van Helsing and Arthur dicker with the Douane Officer
DOUANE: You've got to have permission from the ministry in
writing. I have my orders, and I must obey them. It is laid
down in the government regulations that, under no
circumstances...
ARTHUR: (Places money on the table)
DOUANE: ...under no circumstances may an unauthorized person be
permitted to examine...
ARTHUR: (Places more money on the table)
DOUANE: Of course, in the case of an emergency, we do sometimes
make an exception to that. Seeing this gentleman is a
doctor...when did you say it was, sir?
HELSING: December the first.
DOUANE: December the first. Klausenburgh to Karlstadt. Let me
see. Here it is. One hearse. One coffin. J. Marx, 49
Frederickstrasse, Karlstadt.
***********************************
K A R L S T A D T
THAT EVENING
49 FREDERICKSTRASSE:
Property of J. Marx, Undertaker and Mortician
Enter Mina
MINA: Arthur? Arthur?
DRACULA: (Rises from coffin)
EARLY THE NEXT MORNING
The Holmwood Parlour
Van Helsing and Holmwood finish cups of tea
GERDA: Are you sure I can't get you anything to eat, sir?
ARTHUR: No, thank you, Gerda. We haven't time. But I would
like a word with Mrs. Holmwood before we go. Would you go up,
please, and see if she's awake yet?
GERDA: Yes, sir.
Exit Gerda
HELSING: Are you ready?
ARTHUR: (Nods)
Enter Gerda
GERDA: She's not there, sir.
ARTHUR: Not there?
GERDA: No, sir.
Enter Mina
MINA: Good morning.
ARTHUR: Mina, you gave me quite a fright. Where have you been
at this hour of the morning?
MINA: It was such a lovely day, I got up early and went for a
walk in the garden. I didn't expect you back so soon.
ARTHUR: I'm afraid I've got to go out again.
MINA: When will you be back?
ARTHUR: I can't say for sure. Mina, you look pale. Are you
all right?
MINA: Arthur, darling, don't fuss. I feel perfectly well.
Good bye, darling.
LATER THAT MORNING
49 Frederickstrasse
Marx leads Van Helsing and Holmwood into mortuary
MARX: Perhaps you'd better let me lead the way. I know these
steps. They can be dangerous. We don't want to have an
accident, do we? No, we don't, but, you know, an old man came
here once to see his dead departed. He fell down these
stairs...ha ha...quite amusing. He came to pay his last
respects, and he remained to share them. Quite amusing! Well,
well, where are we? Where are we? It's around the back
somewhere. It's bound to be at the back. Come on, this way,
gentlemen. You follow me. I know where it was. This way.
Well now, that's extraordinary! It was there, I know it was,
cause I saw it only yesterday. But, I really don't know, sir,
who could have moved it.
THAT EVENING
The Holmwood Parlour
Van Helsing and Arthur study map;
Mina sits on couch sewing
ARTHUR: The driver of the hearse might have lied to the
frontier official about where he was going.
HELSING: Yes, but that fellow at the morgue wasn't lying. He
was really surprised when he saw the coffin wasn't there. He
must have had it sometime. No, I think he's still somewhere
here in Karlstadt.
ARTHUR: But where? This is a big town.
HELSING: There are not many places he can hide, don't forget.
MINA: What are you two being so mysterious about over there?
ARTHUR: We'll be with you in a moment, my darling. There is an
old neglected graveyard about three miles from here...somewhere
in this area. St. Joseph's. Give me just one moment. Mina, my
dear, don't think I'm being silly, but I'd feel much happier if,
during my absence, you'd wear this for me. Please don't ask me
why, but just wear it for my sake.
Arthur hands Mina a crucifix
MINA: Arthur, I...I...
ARTHUR: Please, Mina.
Arthur places crucifix in Mina's palm
MINA: (Gasps and faints. The crucifix has burned a mark in her
palm.)
ARTHUR: You said Lucy would lead us to Dracula. Why didn't I
listen to you? This would never have happened.
HELSING: You mustn't blame yourself for that, but you must have
the courage to let Mina lead us now. We'll give her every
protection we can. Tonight, we will watch the windows of her
room. They face two sides, don't they?
ARTHUR: Yes.
HELSING: I know I ask a great deal of you, but you mustn't
weaken now. We have it within our power to rid the world of
this evil. And, with God's help, we'll succeed.
THAT NIGHT
Outside the Holmwood House
Helsing and Arthur stand vigil
The Holmwood Bedroom
Mina prepares for bed
Enter Dracula
THE NEXT MORNING AFTER DAWN
The Holmwood Foyer
Enter Van Helsing and Arthur
HELSING: Mina's safe now, but we must keep watch again tonight.
You'd better get some rest.
ARTHUR: What about you?
HELSING: I'll be all right in there, if I may?
ARTHUR: Right. I'll get you a rug from our room.
HELSING: Thank you.
Exit Arthur
ARTHUR: (From offstage) Mina!
Exit Van Helsing to the Holmwood Bedroom
Mina lies on her bed, drained of blood
LATER
The Holmwood Bedroom
Van Helsing and Gerda remove tubing from a transfusion
of Arthur's blood to Mina
HELSING: Just sit still like that for a minute.
ARTHUR: Will she be all right?
HELSING: I think so. Let me see your arm. Steady. You all
right? Yes, that's very good. Now, you'll need plenty of
fluid. Tea or coffee or, better still, wine. Go down and have
some now. That's a good fellow. Don't worry. Gerda and I will
take care of her.
Exit Arthur
HELSING: Just bathe her forehead, will you, Gerda?
GERDA: Yes, sir.
LATER THAT EVENING
The Holmwood Parlour
Arthur relaxes in a chair sipping a drink
Enter Van Helsing
ARTHUR: How is she now?
HELSING: She's reacted very well.
ARTHUR: Thank God. How did he get in? We watched the house
all night! Your theory must be wrong. He can change into
something else. He must be able to. How else could he have got
in?
HELSING: I wish I knew.
Enter Gerda
GERDA: Madam's sleeping now, sir.
HELSING: She mustn't be left.
ARTHUR: I'll go up to her. I'd like to. You stay and rest and
have some wine. I'm sure you need both. Gerda, will you fetch
another bottle?
GERDA: Oh, sir, I don't like to. You know what happened last
time when I disobeyed Mrs. Holmwood's orders.
ARTHUR: What do you mean?
GERDA: Well, sir, Madam told me the other day that I must on no
account go down to the cellar.
Exit Helsing
MOMENTS LATER
The Holmwood Cellar
Enter Van Helsing
HELSING: (Sees Dracula's empty coffin)
Enter Dracula
DRACULA: (Sees Van Helsing)
Exit Dracula, locking cellar door
HELSING: (places crucifix on Dracula's coffin, then bangs on
door) Holmwood! Holmwood!
ARTHUR: (Opens cellar door).
Offstage: Gerda screams
The Holmwood Parlour
Gerda cries hysterically
Enter Van Helsing and Arthur
HELSING: Gerda, what's happened?
GERDA: (hysterically) He was here! I was coming back to Madam
when the guy came up here. He looked like the devil!
ARTHUR: (Slaps Gerda) Now, what happened?
GERDA: He came in here, and he picked Madam up like she was a
baby...
HELSING: Calm yourself, calm yourself. The one place he can
make for now is home.
LATER THAT NIGHT
The Road from Karlsburgh to Castle Dracula
Van Helsing and Arthur bend over dead man
HELSING: It's a coach driver. He's been dead about half an
hour.
Van Helsing and Arthur return to carriage and drive on
ARTHUR: Do you think Dracula killed that coachman?
HELSING: Of course he did. Without a coach, he'd never get
home before sunrise. He'd be dead.
ARTHUR: But even if he does get home, we...
HELSING: He'd hide in the castle vault for years. We'd lose
him there.
ARTHUR: And Mina?
MUCH LATER THAT NIGHT
Van Helsing and Arthur drive furiously in their carriage
ARTHUR: It's getting light.
************************************
C A S T L E D R A C U L A
NEAR DAWN
Outside Castle Dracula
Dracula drops Mina into a freshly dug grave
and begins to bury her
MINA: (screams)
Enter Helsing and Arthur in carriage
ARTHUR: Look!
Arthur runs to Mina;
Helsing chases Dracula into Castle
The Parlour in Castle Dracula
Dracula and Van Helsing struggle
DRACULA: (Overpowers Van Helsing and attempts to bite his neck)
HELSING: (Breaks away, leaps on table, and tears down curtains,
letting in sunlight)
DRACULA: (Screams and falls to floor)
HELSING: (Holds candlesticks in the form of a cross)
DRACULA: (Turns into dust)
(The mark on Mina's hand disappears)
THE END